My name is Coleman Brown. I’m cousins of Frank Brown. He has
just found himself in wood. Wood carvings and drift wood art as he calls it.
Drift wood art. He looks into the driftwood and sees animals and things and
people. I think it’s a spiritual calling really. That’s what I really think it
is.
Hello, my name is Frank Brown. Alias Francois Negucii. Born
in Seattle, Washington in 1952 to the family of Abraham and Chaney Brown. I was
raised here sixties years ago so I’ve been here all my life. I’m used to this.
But before I go. I want to build this Urban Street Gallery. And the urban
street gallery is for urban artist who don’t have access to SAM and other great
museums and stuff to put their work in. Even though my work is just as
important the work there is important to them. I have beautiful pieces of wood.
I take it through a process where I clean it, hand sanding it, if I must I
might put a little stain or polyurethane coated on it to stop the deterioration
process. Whatever I’ve got to do, but to not change the piece itself.
So when I opened to the public my art I realized there was
no place for me to show it. Hello my name is Stuart Wang and I’ve been living
next to the Brown family since 1989. What I admire about Frank is his ability
to do what’s necessary to make ends meet. We all have to survive in some way
and as artist we have to think creatively to come with ways to survive as
artists. If you are a broke artist you
have to wait until the availability will come or do this. I took my property
and made a gallery.
My biggest inspiration in life today comes from my 26-year-old
son who had a heart attack at 23. His kidneys stopped working and he’s on
dialysis three times a week. Were always going to be Seattle artists and were
always have this Northwest influence that drove us just like Jimmy Hendricks and
all the other great artists that come out of here. We have that same energy and
it can stop the world if they have time enough to look.
There are supposed to be people to know what’s happening in
Seattle not only in music, but art and with people. Without talking to people you never know. With
out conversing you would never know. And without stopping you would never know.
First you have to stop and listen. Then listen
and have the mind listen. My hypothesis might not be like yours, but its mine
and I believe in do onto others as you have them do onto you.